Panoramic View, Barn/List Field
Battle on the Bay, 2021
Please direct any and all articles of an interesting, entertaining, and/or informative nature to chronicler@storvik.atlantia.sca.org
September 2021 Drekkar.
Openwork Belt Fitting,
7th Century Frankish
Cast copper alloy – tinned surface, engraved decoration; two integral posts on reverse; iron tongues
Source via the Metropolitan Museum of Art , under a Creative Commons Open License
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August 2021 Drekkar.
Lid, 12th-13th Century
Attributed to Iran
This bowl belongs to a group known as Garrus ware, named after a district southwest of the Caspian Sea, where examples were reportedly found. They epitomize two of the most typical Garrus ware designs: vegetal motifs within interlaced frameworks, and animals in heraldic poses. The designs are carved through the creamy slip coating the body, exposing the reddish earthenware, to which darkening agents are applied. Finally the whole piece is covered with the transparent glaze.
Source via the Metropolitan Museum of Art , under a Creative Commons Open License
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July 2021 Drekkar.
Head of a Man, 1549
Sebald Beham
A miniaturist, draftsman, engraver, etcher and designer of woodcuts and stained glass, Sebald Beham (formerly known at Hans Sebald Beham) was one of the most prolific graphic artists of his time.
Source via the Metropolitan Museum of Art , under a Creative Commons Open License
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June 2021 Drekkar.
Recto of Sheet with Scene of The Fifth Trombone, from The Apocalypse
1523–24 Hans Burgkmair German
Plate 8 from a series of 21 woodcuts with scenes from the Apocalypse for Martin Luther’s translation of the New Testament. Four editions were published in Augsburg by Silvan Otmar between March 1523 and April 1524.
Source via the Metropolitan Museum of Art, under a Creative Commons Open License
Please direct any and all articles of an interesting, entertaining, and/or informative nature to chronicler@storvik.atlantia.sca.org